Thursday, January 29, 2009

Get On Your Boots Review


The lead single off U2’s forthcoming album No Line on the Horizon, “Get On Your Boots,” is being touted as the follow-up to HTDAAB’s “Vertigo.” However, this one is far from the pure joy that was “Vertigo.” It’s got a great riff from the Edge, heavy drums from Larry Mullen, superb vocals from Bono…what’s not to love? The track has enough sparkly sheen to blind a monkey courtesy of Brian Eno’s production (hey, it worked for Coldplay – they got seven Grammy nominations), and overall, it’s a decent cut. But there’s something missing. It sort of sounds like Bono doesn’t believe what he’s singing, like they were trying for a chart-topping, cash-in hit rather than (God forbid) art, or even music. And it shows, too: it’s getting its ass handed to it on the charts by Kelly Clarkson’s career revamp single “My Life Would Suck Without You.” Seriously, U2? You’re one of the best rock bands in the world (not an opinion, just a fact) and you’re getting kicked out of the charts by a reality TV show winner???

WHAT IS THE WORLD COMING TO???

The Bottom Line: If this is the best representation of NLOTH, I’m thinking about canceling my pre-order from iTunes. Come on, U2. You can do better than this.

Download: Only if you have 99 cents to spare.

Rating: 4.5/10

mood: sleepy-weepy
tunes: the world we live in – the killers – day & age

Sunday, January 18, 2009

there's always next year...

Was I honestly expecting anything else?

Way to go, Eagles.




Hey, at least there's one Pennsylvania team left...


GO STEELERS!!!

Thursday, January 15, 2009

r.i.p. speed-the-plow


It hasn't closed yet, but I'm pretty sure it's on the way down...

Even though it's gotten tons of press because of Jeremy Piven's mercury-flavored premature departure, and despite now boasting a substantially more qualified cast (Norbert Leo Butz (originated Fiyero in Wicked) took over for Piven, and William H. Macy will be taking over for Butz later), it's been selling about 50% of its tickets.

Ouch!

Check the numbers...

Monday, January 12, 2009

Ulysses Review


On the first single from their upcoming album “Tonight: Franz Ferdinand,” Franz Ferdinand debut another stark, cold, danceable groove. As a devoted FF fan, this doesn’t sound like much of an evolution in their sound to me, but then again, that’s not necessarily a bad thing. They’ve found a formula, and it works. I will say that this seems to be a much darker track than their previous singles – the lyrics are notably stranger and more, to quote Alex Kapranos, “sinister” than in the past. This isn’t an invitation to dance, this is an invitation to sell your soul.

The Bottom Line: This is a great new track from Franz Ferdinand – if the rest of the album is this dark, it’s gonna be one hell of a dance party.

Download: Yes! (Available on iTunes)

Rating: 7/10

mood: chillin’ like a villain (oh yes I did just write that)
tunes: red dress – tv on the radio – dear science

Prospekt's March Review


This is the biggest cash-in I’ve ever heard (well, maybe not the biggest, but it's up there...), and frankly more evidence of Coldplay’s sheer mediocrity. I have a love-hate relationship with Coldplay, in that I keep buying their albums but am then constantly disappointed, so I have to cheer myself up, so I listen to one of their albums…it’s a vicious cycle that ultimately ends in the ingestion of Cake, just to get those songs out of my head. I’ll concede that Coldplay knows how to write tunes, sure, but they’re so goddamn formulaic and pretty and BORING that I can’t imagine why anyone would care. There’s nothing edgy or remotely different about this band…and yet I buy their albums anyway. If someone can explain that to me, go crazy.

And now for the actual review…

Life In Technicolor II is not actually a new song, but rather a continuation of the first Life In Technicolor (Life In Technicolor I?). There are some average lyrics, more sweeping strings, blah blah blah YAWN. Another disappointment: Lovers In Japan (Osaka Sun Remix), which as far as I can tell is exactly the same as the first Lovers In Japan, except without the Reign of Love hidden track. Plus, those of us who pre-ordered Viva La Vida from iTunes already have Lovers In Japan (Acoustic Version), so now I have THREE versions of a frankly mediocre song (plus a music video from Prospekt’s March), which is extremely frustrating.

Rainy Day, with its spiky strings and jumpy, jumbled vocals, is a decent cut, as is Glass of Water, a by-the-books big Coldplay arena-filler (although major props for writing the chorus in 7/4) . Both would have been great tracks for the original album, but perhaps that would have been too risky (gasp!) for Coldplay. Other than these two tracks, there is NOTHING here. Lost+ contains an amusing and vaguely entertaining rap interlude from Jay-Z, but what pisses me off the most is that it’s the EXACT SAME TRACK as Lost! (a great song nonetheless). If Coldplay were a real band, they would have given the track to Jay-Z to remix instead of just splicing in an awkward verse. Even the music video is the same, for Christ’s sake! This is a great idea with a pretty average result.

Postcards From Far Away is a waste of forty-eight seconds of your life (it’s just a little bit of twinkly piano…separating...little bits of twinkly piano…), and Prospekt’s March/Poppyfields and Now My Feet Won’t Touch The Ground are just plain weird.

The Bottom Line: When you boil down this record, there are only actually 5 new songs (well, really 4, because Postcards… should not ever count as a song) out of 8. And, unless I missed something, that’s not enough to charge eight dollars for, even if you’re Coldplay.

Download: Glass of Water, Lost+, Rainy Day

Rating: 4/10

mood: busy busy
tunes: use somebody – kings of leon – only by the night

hola, bonjour, and salutations

Hello, and welcome to this, my inaugural big girl blog. The proposed format: album reviews, gig reviews (as they come), and other tidbits. And the proposed response: constructive criticism, comments, amusing anecdotes, etc.

Enjoy…?

mood: sleepy
tunes: straight lines – silverchair – young modern